Each one of those little paintings on wood presented at the gallery is considered by the artist as a fragment of a global installation: a composed partition of coloured notes but also of silence and punctuations. It’s the beauty of the emptiness that accompanies them and gives every fragment it’s own sumptuousness and profundity. Every plywood canvas becomes an accumulation of pictorial layers whose intensity and vibration are accentuated by a mix of oil painting and amber. The frames of the paintings are decentralised - a choice made by the artiste to dissociate the central pictorial practice: the margins, the space and the surface are as much points of crystallisations as the work itself. The barely mentioned motif at the whim of the colours becomes the pretext of a journey and a meditation, of a microcosm that awakens our imaginary.